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Screenwriting FAQ

How much scrutiny should you give a query letter rejection?

I got these questions recently: “I recently started sending out query letters for a script I completed. I received a couple of requests for the script and some rejections. One…

Screenwriting FAQ

Do I have to give away my surprise ending in my query letter?

I got this question recently: “I love to have a twisted ending. I want the reader/audience to sit at the end of the movie/screenplay with mouth on the floor, and…

Screenwriting FAQ

Reading between the lines when a production company offers to read a re-written version of a screenplay

I had a screenwriter asking about his follow up with a production company. His email went something like this (I’ve edited his text a bit for brevity): “I submitted a…

Screenwriting FAQ

Specifically who should you address in your screenplay query letter?

I got this question recently: “When I’m perusing the The Hollywood Creative Directory (HCD) for production company employees to send query letters to, what types of job titles should I…

Screenwriting FAQ

What’s the difference between a screenplay synopsis and a screenplay treatment

I got this question recently: “What is the difference between a screenplay treatment and screenplay synopsis?” Typically a treatment is a much longer and more detailed description of the screenplay…

Screenwriting FAQ

A few small tips on writing query letters

I got these questions recently and thought it might be worth publishing my answers in case someone else had the same questions. While these little details may seem trite to…

Screenwriting FAQ

How long do you wait to hear from a producer who requested your screenplay?

I got this question recently: “How long do I wait to hear from a producer who requested my screenplay? At what point do I take the non-response as a pass?”…

Screenwriting FAQ

Should the query be in the body of the email, or should it be an attachment?

I got this question recently: “Should the query be in the body of the email, or should it be an attachment? What about the synopsis, should it be included in…

Screenwriting FAQ

Difference between a query letter to agents and a query letter to producers

I got this question recently: “I reviewed your site pretty thoroughly and while it was very helpful there is still one thing I’m unclear on: Is a query letter to…

How To Sell Your Screenplay

What to expect from your screenplay query submissions

If you read this blog regularly you know that I’m a big proponent of marketing your own work. Check out my post How to Sell Your Screenplay (in a nutshell)…

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SYS Services to Help Screenwriters

  • SYSs Six-Figure Screenplay Contest
  • SYS's Script Analysis Service
  • SYS's From Concept to Completion Screenwriting Course

Screenplay Contests:

  • SYS's Six-Figure Screenplay Contest
  • Wondering which contests to enter? Check out our list of recommended screenplay contests.

The Budget List

  • The best low budget, unproduced screenplays of 2024
  • The best low budget, unproduced screenplays of 2023
  • The best low budget, unproduced screenplays of 2022
  • The best low budget, unproduced screenplays of 2021
  • The best low budget, unproduced screenplays of 2020
  • The best low budget, unproduced screenplays of 2019
  • The best low budget, unproduced screenplays of 2018
  • The best low budget, unproduced screenplays of 2017

Ashley Scott Meyers’ Films

  • Man Overboard
  • The Pinch
  • The Rideshare Killer

Everything You Need To Know To Sell Your Screenplay

  • Selling Your Screenplay (in a nutshell)
  • How do you protect your work? Screenplay copyrights and WGA registration
  • Writing A Screenplay Logline
  • How to write a professional query letter for your screenplay
  • Building a Database of Agents, Managers and Producers
  • Sending Your Screenplay Query Letter to Your Database of Contacts
  • What to Expect From Your Query Letters
  • How do you get an agent for your screenplay? (And why you don’t need one!)
  • Looking for a script consultant?
  • Questions about Screenplay format?
  • Screenwriting Classes
  • Read screenplays for free in our Screenplay Library.
  • Does any of this really work? Yes! check out our success stories.

Search SYS

SYS Services to Help Screenwriters

  • SYSs Six-Figure Screenplay Contest
  • SYS's Script Analysis Service
  • SYS's From Concept to Completion Screenwriting Course

Screenplay Contests:

  • SYS's Six-Figure Screenplay Contest
  • Wondering which contests to enter? Check out our list of recommended screenplay contests.

The Budget List

  • The best low budget, unproduced screenplays of 2024
  • The best low budget, unproduced screenplays of 2023
  • The best low budget, unproduced screenplays of 2022
  • The best low budget, unproduced screenplays of 2021
  • The best low budget, unproduced screenplays of 2020
  • The best low budget, unproduced screenplays of 2019
  • The best low budget, unproduced screenplays of 2018
  • The best low budget, unproduced screenplays of 2017

Ashley Scott Meyers’ Films

  • Man Overboard
  • The Pinch
  • The Rideshare Killer

Everything You Need To Know To Sell Your Screenplay

  • Selling Your Screenplay (in a nutshell)
  • How do you protect your work? Screenplay copyrights and WGA registration
  • Writing A Screenplay Logline
  • How to write a professional query letter for your screenplay
  • Building a Database of Agents, Managers and Producers
  • Sending Your Screenplay Query Letter to Your Database of Contacts
  • What to Expect From Your Query Letters
  • How do you get an agent for your screenplay? (And why you don’t need one!)
  • Looking for a script consultant?
  • Questions about Screenplay format?
  • Screenwriting Classes
  • Read screenplays for free in our Screenplay Library.
  • Does any of this really work? Yes! check out our success stories.

Search SYS

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SYS Podcast Episode 536 – Working With Tom Cruise, Jamie Foxx on Collateral (2004) With Chuck Russell

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SYS Podcast Episode 535 – The Ladybug Effect With Greg Porper

Podcast Transcripts

SYS Podcast Episode 535 – The Ladybug Effect With Greg Porper (transcript)